Toby Driver - Style and Musicianship

Style and Musicianship

As evident in the bands and projects to which Driver has contributed, he generally utilizes unconventional styles of song-writing and song structure. Many songs he writes use odd time signatures, range from ten to twenty minutes in length, divert from typical riff-based structure, and employ elements of many musical genres outside of traditional rock and heavy metal, often shifting between these styles within the same song. Songs often incorporate musical qualities suited to styles as diverse as death metal, minimalism, chamber music, post-rock and jazz, while seldom completely conforming to any one specific genre. Driver has repeatedly denied any connection between his music with jazz, minimalism or improv. His work is strictly composed and rehearsed thoroughly, and the songs seldom see any changes after being recorded.

Driver’s vocals are accordingly diverse in range and style. Driver uses a normal singing voice, screams, shouts, occasionally uses death vocals (not to be confused with band member Jason Byron who contributes vocals in early motW also), as well as occasionally singing falsetto and using spoken word (see Kayo Dot’s Choirs of the Eye for an example of all the styles listed above).

A multi-instrumentalist, Toby Driver is credited on various albums as playing the following instruments:

  • guitar (acoustic and electric)
  • 12-string guitar
  • baritone guitar
  • bass
  • double bass
  • various keyboards including piano, organ and synthesizer
  • laptop mellotron
  • clarinet
  • cello
  • bells
  • percussion
  • gamelan

Read more about this topic:  Toby Driver

Famous quotes containing the words style and and/or style:

    To translate, one must have a style of his own, for otherwise the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
    Paul Goodman (1911–1972)

    Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.
    Alexander Theroux (b. 1940)