Temples
It is a place of religious prominence. The Gunja Narasimha Swamy temple on the right bank of the Kaveri river, is a massive complex belonging to the Vijayanagara period. The image of Narasimha in the sanctum sanctorum has a weighing balance with a twig with seed of the Gunja (botanical name-Abrus precatorius) tree and hence is called Gunja Narasimha Swamy. It signifies the importance of the temple vis-a-vis the Kasi pilgrimage center by a measure of the seedgulaganji. It has inscriptions dating from the Krishnadevaraya period with a mélange of Dravidian and Hoysala Architecture and is renowned for the voluminous records in Nagari script. The temple, which is more than 500 years old, was in need of repair and restoration. It was renovated by a donor - Dr N.V.Ramanuja Iyengar - an NRI from Florida, USA at a cost of over Rs 2.5 crores (about US$ 0.6 million). The Mahakumbhaabhishekam or re-consecration rites of the renovated temple was performed by the donor and his family members from 5 to 9 March 2011.
Apart from the Gunja Narasimha Swamy temple, there are many other temples such as the Agasthyeshwara temple. (Agastya founded and sanctified the Agasthyeshwara temple.This temple complex contains many monuments belonging to the Ganga, Chola, Hoysala and Vijayanagara periods at Thirumakudlu, and also at the Bhiksheswara temple, the Moolasthaneshwara temple and the Anandeswara temple in the surrounding area. In Tirumakudalu the water comes out of the head of shivalinga, devotees receive thirtha from the same
Read more about this topic: Tirumakudalu Narasipura
Famous quotes containing the word temples:
“If the world would only build temples to Machinery in the abstract then everything would be perfect. The painter and sculptor would have plenty to do, and could, in complete peace and suitably honoured, pursue their trade without further trouble.”
—Wyndham Lewis (1882–1957)
“Color is my day-long obsession, joy and torment. To such an extent indeed that one day, finding myself at the deathbed of a woman who had been and still was very dear to me, I caught myself in the act of focusing on her temples and automatically analyzing the succession of appropriately graded colors which death was imposing on her motionless face.”
—Claude Monet (1840–1926)
““To every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds
For the ashes of his fathers
And the temples of his gods,”
—Thomas Babington Macaulay (1800–1859)