The Tin Man in Recent Fiction
In the 1990 novel The Tin Man, by Dale Brown, the eponymous protagonist is a power-armored vigilante whom the media and police have dubbed The Tin Man for his physical resemblance to the Wizard of Oz character.
The Tin Woodman is a minor character in author Gregory Maguire's 1995 revisionist novel Wicked: The Life and Times of the Wicked Witch of the West, its 2003 Broadway musical adaptation and Maguire's 2005 sequel Son of a Witch. In the book, Nessarose - the Wicked Witch of the East - is seen enchanting the axe to swing around and chop off Nick Chopper's limbs. She does this for a peasant woman who wishes to stop her servant, probably Nimmie Amee, from marrying Nick Chopper. This seems to be close to the Tin Man's origin in the original books, but from the Witch's perspective.
In the musical adaptation of Wicked the Tin Man is revealed to be Boq, a Munchkin whom Nessarose, the Wicked Witch of the East, fell in love with when they were at school together. When she discovered his heart belonged to Glinda, she botched a spell that was meant to make him fall in love with her, but instead shrunk his heart to nothing. To save his life, Elphaba, the Wicked Witch of the West, was forced to turn him into tin. Not understanding her reasons, he pursues Elphaba with a single-minded vengeance for his current form. The Tin Man's humble origin in the novel conflicts with him having been the aristocratic Boq.
In Oz Squad, Nick was shown in a sexual relationship with "Rebecca Eastwitch" in order to get closer to Nimmie Amee and attempt to elope with her.
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Famous quotes containing the words tin, man and/or fiction:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. The Inescapable Family in American Science Fiction and Fantasy Films, Journal of Popular Film and Television (Summer 1992)
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