Timo Sarpaneva - Work

Work

The cast-iron pot (cauldron, casserole) Sarpaneva designed in 1959 (production from 1960), which made it onto a Finnish postal stamp in 1998, became emblematic of his creative approach – modern in a way that did not lean too heavily on novelty, it rethought a traditional piece, put history and humanity back into industrial design, and made "a damn good reindeer stew in the proces." Having reintroduced it to market in 2003, the manufacturer, Iittala, considers its timeless and ingenious design to be as functional in the kitchen as it is appealing on the dining table. Work like Sarpaneva's proved that the intrinsic quality of materials reduced to their most basic, sensuous essence, shaped by the creative imagination of an artist, beat all the kitsch in the world.

Sarpaneva thought the turning point in his career came for him at the age of 22 when he received the second prize in the Riihimäki Glass Design Contest – second only to his college professor, Arttu Brummer, who won the top award. Sarpaneva worked intermittently with metal, wood, textiles, ceramics, and porcelain (china), while glass remained his main medium from his earliest awards for much of his life, both in industrial design and in display art objects. Trained as a graphic designer, he spent the majority of his life in industrial design while seeing himself more as an artist than a designer. But he discounted the option with a joke when confronted with rumors that Andy Warhol had suggested Sarpaneva's fabrics were masterstrokes ready to be framed as paintings. Nevertheless, Sarpaneva's international career opened up with a comparable feat in textile design when he received a Silver Medal at the 1951 Milan Triennale for his submission Kukko, an embroidered tea cozy styled as a rooster (hence its Finnish name) with the bird's serrated red comb as its handle, mistaken by some at the exhibition for a carnival hat.