Time Capsule: Songs For A Future Generation

Time Capsule: Songs For a Future Generation is a greatest hits album released by the B-52's in 1998. The album presents sixteen of their single releases and fan-favorite album tracks in chronological order, with the addition of two newly-recorded songs exclusive to this collection. One of them, "Debbie", is a tribute to Debbie Harry of Blondie. Also exclusive to this release is the "Original Unreleased Mix" of their 1986 song "Summer of Love". Editions released in Brazil, Europe and Japan have a different track listing to the US release. The album cover features the five founding band members standing in front of the Unisphere.

As noted in the book "The B-52's Universe", the band intended this to be a larger box set consisting of singles, demos, outtakes, and new tracks, but Warner made the band trim it down. The band had remastered many tracks for the box, and were able to release more of them by using alternate tracklistings in different territories.

Read more about Time Capsule: Songs For A Future Generation:  Track Listing, Notes, Chart Performance

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    “O time that cut’st down all!
    And scarce leav’st here
    Memoriall
    Of any men that were.”
    —Robert Herrick (1591–1674)

    “Heaven has a Sea of Glass on which angels go sliding every afternoon. There are many golden streets, but the principal thoroughfares are Amen Street and Hallelujah Avenue, which intersect in front of the Throne. These streets play tunes when walked on, and all shoes have songs in them.”
    —For the State of Florida, U.S. public relief program (1935-1943)

    “The circuited city of the future will not be the huge hunk of concentrated real estate created by the railway. It will take on a totally new meaning under conditions of very rapid movement. It will be an information megalopolis.”
    —Marshall McLuhan (1911–1980)

    “There is hardly an American male of my generation who has not at one time or another tried to master the victory cry of the great ape as it issued from the androgynous chest of Johnny Weissmuller, to the accompaniment of thousands of arms and legs snapping during attempts to swing from tree to tree in the backyards of the Republic.”
    —Gore Vidal (b. 1925)