Production
Production on Time and Tide began in 1999. It was written by director Tsui Hark and Koan Hui. Hui and Hark had collaborated previously on the screenplay for The Blade. Actor Nicholas Tse opted out of appearing in the sequel to Gen-X Cops to be in Time and Tide. Tse announced that it would be his last action film as he desired to focus on his musical career. It was not his last action film as he starred in Wong Jing's My Schoolmate The Barbarian in 2001. After seeing Wu Bai in the Taiwanese film The Personals, Tsui offered Wu the role in Time and Tide. Wu's character was rewritten with him in mind by making him more of a sad loner to match the music he made with his band in China Blue. Cathy Tsui was cast as Ah Jo in the film. She found a scene involving her playing with a dog difficult as she was afraid of them. To make her more comfortable, she was sent to a dog farm where she played with dogs every day to become comfortable around them.
The film was radically altered in post-production. The original cut was over three hours long, which Tsui Hark considered to be too slow-paced. He reorganized the entire script including cutting many of Nicholas Tse and Anthony Wong Chau Sang's scenes, leaving Wu Bai's sequences as they were.
Read more about this topic: Time And Tide (2000 Film)
Famous quotes containing the word production:
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)