Thomas Tusser - Literary Career

Literary Career

There he wrote A Hundreth Good Pointes of Husbandrie, a long poem in rhyming couplets recording the country year. This work was first printed in London in 1557 by publisher Richard Tottel, and was frequently reprinted. Tottel published an enlarged edition Five Hundreth Pointes of Good Husbandrie in 1573. Tusser includes a homely mix of instructions and observations about farming and country customs which offer a fascinating insight into life in Tudor England, and his work records many terms and proverbs in print for the first time. In this work, he also famously presents ten characteristics the perfect cheese must have:

Not like Gehazi, i.e., dead white, like a leper
Not like Lot's wife, all salt
Not like Argus, full of eyes
Not like Tom Piper, “hoven and puffed”
Not like Crispin, leathery
Not like Lazarus, poor
Not like Esau, hairy
Not like Mary Magdalene, full of whey or maudlin
Not like the Gentiles, full of maggots
Not like a Bishop, made of burnt milk

He never remained long in one place. For his wife's health he removed to Ipswich. After her death he married again, and farmed for some time at West Dereham. He then became a singing man in Norwich Cathedral, where he found a good patron in the dean, John Salisbury.

Read more about this topic:  Thomas Tusser

Famous quotes containing the words literary and/or career:

    In literary circles, the men of trust and consideration, bookmakers, editors, university deans and professors, bishops, too, were by no means men of the largest literary talent, but usually of a low and ordinary intellectuality, with a sort of mercantile activity and working talent. Indifferent hacks and mediocrities tower, by pushing their forces to a lucrative point, or by working power, over multitudes of superior men, in Old as in New England.
    Ralph Waldo Emerson (1803–1882)

    A black boxer’s career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.
    Ishmael Reed (b. 1938)