Early Life and Education
Benton was born in Neosho, Missouri, into an influential family of politicians. He had a sister Mildred. Benton's father, Colonel Maecenas Benton, was a lawyer and four times elected as U.S. congressman. Known as the "little giant of the Ozarks", Maecenas named his son after his uncle Thomas Hart Benton, one of the first two United States Senators elected from Missouri. Given his father's political career, Benton spent his childhood shuttling between Washington D.C. and Missouri. His father sent him to Western Military Academy in 1905-06, hoping to shape him for a political career. Growing up in two different cultures, Benton rebelled against his father's plans. He wanted to develop his interest in art, which his mother supported. As a teenager, he worked as a cartoonist for the Joplin American newspaper, in Joplin, Missouri.
With his mother's encouragement, in 1907 Benton enrolled at the Art Institute of Chicago. Two years later, he moved to Paris in 1909 to continue his art education at the Académie Julian. His mother supported him financially and emotionally to work at art until he married in his early 30s. His sister Mildred said, "My mother was a great power in his growing up." In Paris, Benton met other North American artists, such as the Mexican Diego Rivera and Stanton Macdonald-Wright, an advocate of Synchromism. Influenced by the latter, Benton subsequently adopted a Synchromist style.
Read more about this topic: Thomas Hart Benton (painter)
Famous quotes containing the words early, life and/or education:
“In early days, I tried not to give librarians any trouble, which was where I made my primary mistake. Librarians like to be given trouble; they exist for it, they are geared to it. For the location of a mislaid volume, an uncatalogued item, your good librarian has a ferrets nose. Give her a scent and she jumps the leash, her eye bright with battle.”
—Catherine Drinker Bowen (18971973)
“I think your whole life shows in your face and you should be proud of that.”
—Lauren Bacall (b. 1924)
“Whether talking about addiction, taxation [on cigarettes] or education [about smoking], there is always at the center of the conversation an essential conundrum: How come were selling this deadly stuff anyway?”
—Anna Quindlen (b. 1952)