Thomas German Reed (27 June 1817 – 21 March 1888) was an English composer, musical director, actor, singer and theatrical manager of the Victorian era. He was best known for creating the German Reed Entertainments, together with his actress wife, a genre of musical plays that made theatre-going respectable at a time when the stage was considered disreputable.
While acting as organist and chapel-master at chapels in London, and also as musical director and performer at West End theatres in the 1830s and 1840s, Reed tried his hand at producing opera. He married Priscilla Horton, a noted singer, actress and dancer, in 1844. By 1851, he was managing opera productions at various theatres in London and on tour. In 1855, Reed and his wife began to present and perform in "Mr. and Mrs. German Reed's Entertainments", consisting of brief, small-scale, family-friendly comic operas. In the early and mid-Victorian era, the respectable middle classes regarded the theatre in general as sinful. Therefore, the Reeds shrewdly called their establishment the "Gallery of Illustration" and their productions "entertainments" to emphasize their refined propriety.
In addition to comic classics like The Beggar's Opera, the Reeds usually presented new works by English writers such as F. C. Burnand, W.S. Gilbert, William Brough and Gilbert à Beckett. His composers included Frederic Clay, Arthur Sullivan, George Macfarren and Alfred Cellier, as well as himself. Reed retired in 1871 after an injury, and his son Alfred took over the entertainments with his mother.
Read more about Thomas German Reed: Life and Career, Works Composed By German Reed
Famous quotes containing the words thomas, german and/or reed:
“The exile is a singular, whereas refugees tend to be thought of in the mass. Armenian refugees, Jewish refugees, refugees from Franco Spain. But a political leader or artistic figure is an exile. Thomas Mann yesterday, Theodorakis today. Exile is the noble and dignified term, while a refugee is more hapless.... What is implied in these nuances of social standing is the respect we pay to choice. The exile appears to have made a decision, while the refugee is the very image of helplessness.”
—Mary McCarthy (19121989)
“How much atonement is enough? The bombing must be allowed as at least part-payment: those of our young people who are concerned about the moral problem posed by the Allied air offensive should at least consider the moral problem that would have been posed if the German civilian population had not suffered at all.”
—Clive James (b. 1939)
“Boold was hir face, and fair, and reed of hewe.
She was a worthy womman al hir lyve.
Housbondes at chirche dore she hadde fyve,
Withouten oother compaignye in youthe
But therof nedeth nat to speke as nowthe.”
—Geoffrey Chaucer (1340?1400)