Catalogues
(Auswahl/Selection)
„Documenta 9", Kassel, Edition Cantz, 1992 „Nur 72 Stunden", Die Wandelhalle, Forum für Kunst, Köln, 1992 „Im Rahmen der Ausstellung – Künstlergespräch mit Thom Merrick", engl., Edition Galerie Susanna Kulli, St.Gallen, 1996 „donald baechler, matthew mc.caslin, rachel khedoori, thom merrick, martin puryear, kathleen schimert, hanne tierney, jason rhoades", Stiftelsen Wanas Utställningar, Wanas Foundation, Knislinge, 1996 „Stilleben – Nature morte – Natura morta – Still life" Carte Blanche von Adrian Schiess, Helmhaus, Zürich, 1997 „Thom Merrick", Interventionen 8, Sprengel Museum Hannover, 1997 „504", ein Ausstellungsprojekt der Klasse John M Armleder, Hochschule für Bildende Künste, Braunschweig, 1997 „I love New York", Crossover der aktuellen Kunst, Museum Ludwig, Köln, Verlag DuMont, 1999 „Transfert: Kunst Im Urbanen Raum" Art dans l’espace Urban, Biel, 2000 „Le Fou dedoube / The Split Personality Madman" Château d’Oiron, France, La Société des collectionneurs d’Art Contemporain, Moscow, 2000 2005 Yves Aupetitallot, Private View 1980-2000: Collection Pierre Huber, JRP/Ringier
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“It is, in both cases, that a spiritual life has been imparted to nature; that the solid seeming block of matter has been pervaded and dissolved by a thought; that this feeble human being has penetrated the vast masses of nature with an informing soul, and recognised itself in their harmony, that is, seized their law. In physics, when this is attained, the memory disburthens itself of its cumbrous catalogues of particulars, and carries centuries of observation in a single formula.”
—Ralph Waldo Emerson (1803–1882)