Song Details
Themes of the album include spirituality ("Spirit", "The Pan Within"), romantic love ("Trumpets"), and English politics ("Old England"). Michael Tucker, in an article entitled "The Body Electric: The Shamanic Spirit in Twentieth Century Music", lists This Is the Sea as an example of shamanistic themes in twentieth-century Western music. Irish musician Bono includes the album on his "top ten" list, noting "In rock, the word 'poet' gets thrown around a lot. Not here..."
"Don't Bang the Drum", the lyrics of which encourage environmentalism, was released as a single in Germany, with a song titled "Ways of Men" as the b-side. The first draft of the song's music was written by Wallinger. Scott reworked the arrangement, changing its rhythm and "feel", but Wallinger's melody and chords were preserved.
"The Whole of the Moon", one of The Waterboys' best-known songs and their most commercially successful, was first released as a twelve-inch single, and reached number twenty-eight on the United Kingdom singles chart. The single also contained a live recording of "The Girl in the Swing", from The Waterboys, the band's first album, an extended mix of "Spirit", and a song titled "Medicine Jack". The latter two appear on the second disc of the album's re-release. When the single was reissued in 1990, it reached number 3, and was awarded the Ivor Novello Award in 1991. Including the 2004 remastered album, the song has been officially released four times.
The song began as a "scribble on the back of an envelope on a wintry New York street", after Scott's girlfriend asked him if it was difficult to write a song, and was unfinished at the beginning of the recording sessions, eventually being completed in May 1985. The song, like The Waterboys' first single "A Girl Called Johnny" is a tribute to an inspirational figure. In each line, the singer describes his own perspective and immediately contrasts it with that of the song's subject, summarizing the difference with the line "I saw the crescent / You saw the whole of the moon". "You saw Brigadoon", one of these contrasts, refers to a fictional village that exists only one day every century (from the musical of the same name).
The subject of the song has inspired some speculation. Musician Nikki Sudden, with whom Scott had collaborated before forming The Waterboys, said that Scott told Max Edie, the backup singer for "The Whole of the Moon", that the song was written about Sudden. Allmusic instead suggests that its subject is actually a number of people who inspired Scott, including Christian writer C. S. Lewis and the musician Prince. Scott himself says that he "couldn't have written" the song without having read Mark Helprin's novel Winter's Tale, but goes on to state that the song is not about Helprin. The official Waterboys website's Frequently Asked Questions clarifies that Scott has said that the song's subject is "a composite of many people", including C. S. Lewis, but explicitly states that it is not about Prince.
A feature of "The Whole of the Moon" is the trumpet work on the recording, courtesy of the classically-trained Lorimer. Lorimer spent three days with Scott working on the song's arrangement. According to Lorimer, he "went home with a tape of the song and thought about a more classical approach. After a while sitting at the piano I came up with the idea of antiphonal trumpets. A piccolo trumpet on the left answered a piccolo on the right and then the same again, growing by adding a Bb trumpet below each side of the stereo picture. Mike loved it, except the slightly jazzy chords I had used on the run down at the very end, which he simplified. I used the same classical approach later in the song, mixing two classical-type trumpets behind a later verse." Lorimer also contributes falsetto background vocals to the song, while Thistlethwaite, another brass section member, performs a saxophone solo near the end.
"The Whole of the Moon" was covered by Jennifer Warnes on her 1992 album The Hunter, by Mandy Moore on her 2003 album Coverage, by the band Human Drama on the compilation album New Wave Goes to Hell and by folk singer-songwriter Peter Mulvey on his 1995 release Rapture. It has also appeared on numerous other compilations.
"Spirit", a song praising the resilience of the human spirit, originally appeared on a short, one-and-a-half minute version. A full four-minute version of the song was released on the 2004 remastered disc.
The lyrics of "The Pan Within" are partly derived from meditation techniques ("Close your eyes / Breathe slow / And we'll begin"). It was the first of two Waterboys songs about the Ancient Greek god Pan, which have been played as a medley at Waterboys concerts. Scott describes the song's guitar solo as " of a series of phrases or lines/melodies that generally build in an order (which may change), though which includes a lot of improvisation which is different each night. The lines have never been 'tabbed' or written down... The song is in Aminor (the chords under the solo are F – Em – Am – Am repeated)". The second Pan song, "The Return of Pan", appears on the album Dream Harder. "The Pan Within" is the first Waterboys song to feature Wickham's fiddle playing. It was selected as one of DWXB-FM's Hits of 1986.
An alternative version of "Medicine Bow" was released as a single in Germany, with an instrumental version of "Don't Bang the Drum" for the seven-inch. The twelve-inch contained another mix of "Medicine Bow" and "Ways of Men". Scott writes that he invented the name, and was unaware of Medicine Bow, Wyoming. The album's re-release contains a "full length" version of the song that contains an instrumental "piano storm – from first sonic droplets of rain to final crashing thunder and lightning" performed by Adrian Johnston.
"Old England" is a criticism of Thatcherism, blaming Margaret Thatcher's economic policies for what Scott perceived to be an increase in desperation amongst the young and poor in the England of that time, and a rise in drug addiction, specifically to heroin. The refrain, "Old England is dying" is a quote from James Joyce, and the lines "You're asking what makes me sigh now / What it is makes me shudder so" are from W.B. Yeats' poem, "Mad as the Mist and Snow". The Clash, one of the bands that had inspired Scott during his punk music phase, released "This Is England", a song with a similar theme, as a single the same year. Scott and The Waterboys would move to Ireland the following year.
"Trumpets", a love song, was the first song written for the album, in the spring of 1984, and the first song from the album to be performed live. It quotes from "I'm Only Sleeping", a recording by The Beatles.
The title track, the last song on the original release, has a slower tempo than most of the other arrangements. Scott notes that he wrote over twenty verses for the song, some of which wound up included on the "alter ego" of "This Is the Sea", "That Was the River", which was released in 1994 on The Secret Life of the Waterboys. The song "This Is the Sea" was first performed in Worcester on December 2, 1984, and a longer version than would eventually appear on the album, was played at a benefit concert for miners in February 1985. The subject of the lyrics is conflicted about their present ("You've got a war in your head / And it's tearing you up inside"), and nostalgic for a past clarity ("And you know you once held the key"). The speaker instead argues that the past is irrelevant ("But that was the river / This is the sea)".
Those additional tracks on the re-release that are not alternative versions of songs originally appearing on the album were recorded in the same recording sessions.
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