Production
Verisimilitude was obtained by working closely with Captain Ted Lawson and other members of the raid. The use of Hurlburt Field and Peel Field near Pensacola, Florida and Eglin Field (the real base where the Doolittle Raiders trained), along with using operational USAAF B-25C and -D bombers (which closely resembled the B-25B Mitchells used in 1942) made for a very authentic, near-documentary feel. Auxiliary Field 4, Peel Field, was used for the short-distance take off practice scenes. Although an aircraft carrier was not available due to wartime needs (the USS Hornet itself had been sunk in the Battle of Santa Cruz 27 October 1942 only six months after launching the raid), a mix of realistic studio sets and original newsreel footage faithfully recreated the USS Hornet scenes. Principal photography took place between February and June 1944.
Read more about this topic: Thirty Seconds Over Tokyo
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“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
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“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
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—Jane Addams (1860–1935)