Rooted in Ideological Criticism
Wander, in his 1984 article, explores and critiques many facets of rhetorical method. His goals are writ large, that, for example, "To be progressive, change must progress toward something. That something, oriented around traditional humanist notions of human potential, is grounded in the emancipation of human potential." These altruistic goals are requisite to understanding the notion of Third Persona, which seeks to acknowledge the unacknowledged social voice.
Public space, Wander states, is necessary for the perpetuation of healthy ideological criticism, without which "criticism lapses into eulogy or falls silent." At the heart of Wander's study is his consideration of the meaning of meaning in terms of semiotics: "If a critic denies that an action, event, or text meant something to those who produced it . . . threatens to become meaningless." At the root of this problem of meaning is the intention of meaning and the intended audience to receive the intended meaning; Wander writes, "The 'meaning' of a speech will vary with the audience." Thus, interpretation varies significantly from the intended meaning of communication. Regarding audiences that are "not present, audiences rejected or negated through the speech and/or the speaking situation. This audience I shall call the Third Persona."
Read more about this topic: Third Persona
Famous quotes containing the words rooted in, rooted, ideological and/or criticism:
“Fashions change, and with the new psychoanalytical perspective of the postwar period [WWII], child rearing became enshrined as the special responsibility of mothers ... any shortcoming in adult life was now seen as rooted in the failure of mothering during childhood.”
—Sylvia Ann Hewitt (20th century)
“Each blade of grass has its spot on earth whence it draws its life, its strength; and so is man rooted to the land from which he draws his faith together with his life.”
—Joseph Conrad (1857–1924)
“There cannot be peaceful coexistence in the ideological realm. Peaceful coexistence corrupts.”
—Jiang Qing (1914–1991)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)