Literary Significance and Reception
Maurice Richardson of The Observer of 30 November 1952 summed up thus: "First half is lively and the trick alibi for the murder of the stepson neat enough; there is a marked decline in sprightliness later on, but half a shot is better than no dope."
Robert Barnard: "Unusual (and not entirely convincing) setting of delinquent's home, full of untrustworthy adolescents and untrustworthy do-gooders. Christie not entirely at home, perhaps because she believes (in Miss Marple's words) that 'young people with a good heredity, and brought up wisely in a good home…they are really…the sort of people a country needs.' Otherwise highly traditional, with houseplans, Marsh-y inquisitions, and second and third murders done most perfunctorily. Definite signs of decline."
Read more about this topic: They Do It With Mirrors
Famous quotes containing the words literary, significance and/or reception:
“There was a literary gentleman present who who had dramatised in his time two hundred and forty-seven novels as fast as they had come out—and who was a literary gentleman in consequence.”
—Charles Dickens (1812–1870)
“The hypothesis I wish to advance is that ... the language of morality is in ... grave disorder.... What we possess, if this is true, are the fragments of a conceptual scheme, parts of which now lack those contexts from which their significance derived. We possess indeed simulacra of morality, we continue to use many of the key expressions. But we have—very largely if not entirely—lost our comprehension, both theoretical and practical, of morality.”
—Alasdair Chalmers MacIntyre (b. 1929)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)