Analysis
Theodor Storm, like Friedrich Hebbel, was a child of the North Sea Plain, but while in Hebbel's verse there is hardly any direct reference to his native landscape, Storm again and again revisits the chaste beauty of its expansive mudflats, menacing sea and barren pastures — and while Hebbel could find a home away from his native heath, Storm clung to it with what might be called a jealous love. In Der Schimmelreiter, the last of his 50 novellas and widely considered Storm's culminating masterpiece, the setting of the rural North German coast is central to evoking its unnerving, superstitious atmosphere and sets the stage for the battleground of man versus nature - the dykes and the sea.
His favorite poets were Joseph von Eichendorff and Eduard Mörike, and the influence of the former is plainly discernible even in Storm's later verse. During a summer visit to Baden-Baden in 1864, where he had been invited by his friend, the author and painter Ludwig Pietsch, he made the acquaintance of the great Russian writer Ivan Turgenev. They exchanged letters and sent each other copies of their works over a number of years.
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