Works
In preparation for his work on the Vatican Council he first edited the Acta et Decreta sacrosancti oecumenici Concilii Vaticani (Freiburg im Br., 1890), the seventh volume of the Acta et Decreta sacrorum Conciliorum recentiorum in the Collectio Lacensis. This was followed by Constitutiones Dogmaticae s. oecumenici Concilii Vaticani ex ipsis ejus actis explicatae atque illustratae" (Freiburg im Br., 1892). The publication of his Geschichte des vaticanischen Koncils von seiner ersten Ankundigung bis zu seiner Vertagung, nach den authentischen Dokumenten dargestellt was continued after the author's death by his fellow Jesuit Konrad Kirch. Two volumes of this work, which the author himself prepared for the press, were issued in 1903 at Freiburg im Breisgau, the first dealing with the preliminary history and the second with the proceedings of the council to the end of the third public sessions. The third and last volume was published in 1906 and treats of the final proceedings. The unabridged text of the acts of the council, especially of the discourses delivered in the general congregations, was laid before the public.
Granderath was also the author of many apologetic, dogmatic, and historical articles in the Stimmen aus Maria-Laach (1874–99), the Zeitschrift für kath. Theologie (1881–86), and the Katholik (1898). The second edition of the Kirchenlexikon contains several lengthy articles by him, among others that on the Vatican Council (XII, 607-33).
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Famous quotes containing the word works:
“Tis too plain that with the material power the moral progress has not kept pace. It appears that we have not made a judicious investment. Works and days were offered us, and we took works.”
—Ralph Waldo Emerson (18031882)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (17001748)
“One of the surest evidences of an elevated taste is the power of enjoying works of impassioned terrorism, in poetry, and painting. The man who can look at impassioned subjects of terror with a feeling of exultation may be certain he has an elevated taste.”
—Benjamin Haydon (17861846)