Works
In preparation for his work on the Vatican Council he first edited the Acta et Decreta sacrosancti oecumenici Concilii Vaticani (Freiburg im Br., 1890), the seventh volume of the Acta et Decreta sacrorum Conciliorum recentiorum in the Collectio Lacensis. This was followed by Constitutiones Dogmaticae s. oecumenici Concilii Vaticani ex ipsis ejus actis explicatae atque illustratae" (Freiburg im Br., 1892). The publication of his Geschichte des vaticanischen Koncils von seiner ersten Ankundigung bis zu seiner Vertagung, nach den authentischen Dokumenten dargestellt was continued after the author's death by his fellow Jesuit Konrad Kirch. Two volumes of this work, which the author himself prepared for the press, were issued in 1903 at Freiburg im Breisgau, the first dealing with the preliminary history and the second with the proceedings of the council to the end of the third public sessions. The third and last volume was published in 1906 and treats of the final proceedings. The unabridged text of the acts of the council, especially of the discourses delivered in the general congregations, was laid before the public.
Granderath was also the author of many apologetic, dogmatic, and historical articles in the Stimmen aus Maria-Laach (1874–99), the Zeitschrift für kath. Theologie (1881–86), and the Katholik (1898). The second edition of the Kirchenlexikon contains several lengthy articles by him, among others that on the Vatican Council (XII, 607-33).
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Famous quotes containing the word works:
“Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, are effectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.”
—Raymond Williams (1921–1988)
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)