Career
During the silent era, Todd appeared in numerous supporting roles that made full use of her beauty but gave her little chance to act. With the advent of the talkies, Todd was given opportunity to expand her roles when producer Hal Roach signed her to appear with such comedy stars as Harry Langdon, Charley Chase, and Laurel and Hardy. In 1931 she was given her own series, teaming with ZaSu Pitts (pronounced "Zay-soo," also her character's name) for slapstick comedies. This was Roach's attempt to create a female version of Laurel and Hardy. When Pitts left Roach in 1933, she was replaced by Patsy Kelly. The Todd shorts often cast her as a working girl having all sorts of problems, and trying her best to remain poised and charming despite the embarrassing antics of her sidekick.
In 1931, Todd became romantically involved with director Roland West, and starred in his film Corsair.
Thelma Todd became highly regarded as a capable film comedian, and Roach loaned her out to other studios to play opposite Wheeler & Woolsey, Buster Keaton, Joe E. Brown, and the Marx Brothers. She also appeared successfully in such dramas as the original 1931 film version of The Maltese Falcon starring Ricardo Cortez as Sam Spade, in which she played Miles Archer's treacherous widow. During her career she appeared in 119 films although many of these were short films, and was sometimes publicized as "The Ice Cream Blonde."
In August 1934, she opened a successful cafe at Pacific Palisades, called Thelma Todd's Sidewalk Cafe, attracting a diverse clientele of Hollywood celebrities as well as many tourists.
Todd continued her short-subject series through 1935, and was featured in the full-length Laurel and Hardy comedy The Bohemian Girl. This was her last film; she died after completing all of her scenes, but most of them were re-shot. Producer Roach deleted all of Todd's dialogue and limited her appearance to one musical number.
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Famous quotes containing the word career:
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
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