Critical Reception
In his review of the 1984 revival, Frank Rich wrote: "What made The Wiz surprisingly moving the first time around was that its creators found a connection between Baum's Kansas fantasy and the pride of urban black Americans. When Glinda, the good witch, musically instructed Dorothy to 'believe in herself,' she seemed to be delivering a broader inspirational message. The Wiz was hardly a great musical in 1975, but it had something to say, and it said it with verve and integrity. It's depressing to watch a once-fervent expression of black self-respect and talent be spilled on the stage as if it were a trunkload of marked-down, damaged goods."
In their review of the 2006 La Jolla production, Variety wrote: "'The Wiz' remains a collage of contemporary slang and imagery, but La Jolla's is a multicultural collage in which Baum's themes speak to the broadest possible audience. Unquestionably, the humor and the heartbeat of the piece remain African-American at their source, but the overall effect is pluralistic and inclusive. In the truest and most positive sense of the phrase, McAnuff's show is color-blind. Every alteration from the 1975 original, inspired by the central multicultural concept, is salutary. Brown's almost wholly rewritten script is tart and funny at last. Smalls' score—supervised by musical director Ron Melrose and original orchestrator Harold Wheeler—sounds fresh and contemporary."
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