Reception
Dryden composed a set of verses addressed to Lady Castlemaine, the mistress of King Charles II, crediting her with "encouraging" this early play. Dryden's first effort was not, however, a success with its original audience; "the greater part condemn'd it," as Dryden himself put it. Samuel Pepys saw the second Court performance on February 23, 1663, and in his Diary called it "so poor a thing as ever I saw in my life almost...." (Pepys complained that even at the end of the play he could not tell which character was the Wild Gallant.) Some commentators considered it coarse, even by the libertine standards of the era. Dryden re-wrote the comedy, and it was more successful when revived in 1667.
Read more about this topic: The Wild Gallant
Famous quotes containing the word reception:
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)