Reception
Dryden composed a set of verses addressed to Lady Castlemaine, the mistress of King Charles II, crediting her with "encouraging" this early play. Dryden's first effort was not, however, a success with its original audience; "the greater part condemn'd it," as Dryden himself put it. Samuel Pepys saw the second Court performance on February 23, 1663, and in his Diary called it "so poor a thing as ever I saw in my life almost...." (Pepys complained that even at the end of the play he could not tell which character was the Wild Gallant.) Some commentators considered it coarse, even by the libertine standards of the era. Dryden re-wrote the comedy, and it was more successful when revived in 1667.
Read more about this topic: The Wild Gallant
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)