Production
| Episode | Broadcast date | Run time | Viewership |
Archive |
|---|---|---|---|---|
| "Episode One" | 19 April 1969 (1969-04-19) | 25:00 | 5.5 | 16mm t/r |
| "Episode Two" | 26 April 1969 (1969-04-26) | 25:00 | 6.3 | 16mm t/r |
| "Episode Three" | 3 May 1969 (1969-05-03) | 24:30 | 5.1 | 16mm t/r |
| "Episode Four" | 10 May 1969 (1969-05-10) | 23:30 | 5.7 | 16mm t/r |
| "Episode Five" | 17 May 1969 (1969-05-17) | 24:30 | 5.1 | 16mm t/r |
| "Episode Six" | 24 May 1969 (1969-05-24) | 22:53 | 4.2 | 16mm t/r |
| "Episode Seven" | 31 May 1969 (1969-05-31) | 22:28 | 4.9 | 16mm t/r |
| "Episode Eight" | 7 June 1969 (1969-06-07) | 24:37 | 3.5 | 16mm t/r |
| "Episode Nine" | 14 June 1969 (1969-06-14) | 24:34 | 4.1 | 16mm t/r |
| "Episode Ten" | 21 June 1969 (1969-06-21) | 24:23 | 5.0 | 16mm t/r |
As the TARDIS crew try to escape the Time Lords in episode 10, brief clips from The Web of Fear, Fury from the Deep and The Wheel in Space are used to show the TARDIS in locations supposedly out of the Time Lords' reach.
Read more about this topic: The War Games
Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)