The Virgin and Child With St. Anne (Leonardo Da Vinci) - Content and Composition

Content and Composition

Leonardo's painting is at once both pleasing, calm yet confusing upon closer examination. The composition of the three figures is fairly tight, with the Virgin Mary clearly interacting actively with the infant Jesus. However, upon closer examination of the positioning of the Virgin and St.Anne one realizes that the Virgin Mother is sitting on St.Anne's lap. It is unclear what meaning this could have and what meaning Leonardo intended to project with that pose. There is no clear parallel in other works of art and women sitting in each other's lap are not a clear cultural or traditional reference that the viewer can relate to. Additionally, although the exact sizes of neither the Mother Virgin nor St.Anne are known, it can be easily extrapolated from the painting that St.Anne is a significantly larger person than Mary. This subtle yet perceptible distortion in size was utilized by Leonardo to emphasize the mother daughter relationship between the two women despite the apparent lack of visual cues to the greater age of St.Anne that would otherwise identify her as the mother.