The Village Voice - Changes After New Times Media Acquisition

Changes After New Times Media Acquisition

Since being acquired by New Times Media in 2005, the publication's key personnel have changed and the content has become increasingly mainstream. The Voice is now managed by two journalists from Phoenix, Arizona. Some New York media critics perceive a loss of the paper's original iconoclastic, bohemian spirit.

In April 2006, the Voice dismissed music editor Chuck Eddy. Four months later the newspaper fired longtime music critic Robert Christgau. In January 2007, the newspaper fired sex columnist and erotica author Rachel Kramer Bussel; long-term creative director Ted Keller, art director Minh Oung, fashion columnist Lynn Yeager and Deputy Art Director LD Beghtol were laid off/fired soon after.

The paper has experienced high turnover among its editorial leadership since 2005. Editor-in-chief Don Forst resigned in December 2005. Doug Simmons, his replacement, was fired in March 2006 after it was discovered that a reporter had fabricated portions of an article. Simmons' successor, Erik Wemple, resigned after two weeks. His replacement, David Blum, was fired in March 2007. As of April 2007, Tony Ortega, former editor of the Broward-Palm Beach New Times, is editor.

In December 2008, The New York Times reported that the situation grew so strained that half of its entire staff was gone. One still-employed writer remarked that the Voice's managers "don’t seem to be able to sit there and just talk about them with their own work force to deal with these problems".

Tony Ortega and the Voice became embroiled in a legal dispute with businessman David Bruce McMahan after it published investigative reports surrounding his reported incestuous relationship with his daughter in 2010. The paper alleged that McMahan was also having the controversy systematically removed from his Wikipedia page.

The firing of Nat Hentoff, who worked for the paper from 1958 to 2008, led to further criticism of the management by some of its current writers, Hentoff himself, and by the Voice's ideological rival paper National Review (which referred to Hentoff as a "treasure").