Commentaries and Criticism
In reviewing Hans Christian Andersen: A New Life by biographer Jens Andersen, British journalist Anne Chisholm writes “Andersen himself was a tall, ugly boy with a big nose and big feet, and when he grew up with a beautiful singing voice and a passion for the theater he was cruelly teased and mocked by other children". The ugly duckling is the child of a swan whose egg accidentally rolled into a duck's nest.
Speculation suggests that Andersen was the illegitimate son of prince Christian Frederik (later King Christian VIII of Denmark), and found this out some time before he wrote the book, and then that being a swan in the story was a metaphor not just for inner beauty and talent but also for secret royal lineage.
Bruno Bettelheim observes in The Uses of Enchantment that the Ugly Duckling is not confronted with the tasks, tests, or trials of the typical fairy tale hero. “No need to accomplish anything is expressed in “The Ugly Duckling”. Things are simply fated and unfold accordingly, whether or not the hero takes some action.” In conjunction with Bettelheim’s assessment, Maria Tatar notes in ’’The Annotated Hans Christian Andersen’’ that Andersen suggests the Ugly Duckling‘s superiority resides in the fact that he is of a breed different from the barnyard rabble, and that dignity and worth, moral and aesthetic superiority are determined by nature rather than accomplishment.
Read more about this topic: The Ugly Duckling
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“Good criticism is very rare and always precious.”
—Ralph Waldo Emerson (18031882)