Production
The series was produced by Peace Arch Entertainment for Showtime in association with Reveille Productions, Working Title Television, and the Canadian Broadcasting Corporation, and was filmed in Ireland. The first two episodes debuted on DirecTV, Time Warner Cable OnDemand, Netflix, Verizon FiOS On Demand, Internet Movie Database and on the website of the series before the official premiere on Showtime. The Tudors premiered on 1 April 2007; it was the highest-rated Showtime series in three years. In April 2007, the show was renewed for a second season, and in that month the BBC announced it had acquired exclusive United Kingdom broadcast rights for the series, which it started to broadcast on 5 October 2007. The CBC began broadcasting the show on 2 October 2007.
Season Two debuted on Showtime on 30 March 2008, and on BBC 2 on 1 August 2008. Production on Season Three began on 16 June 2008 in Bray, County Wicklow Ireland, and that season premiered on Showtime on 5 April 2009, and debuted in Canada on CBC on 30 September 2009. The day after broadcast, downloadable episodes debuted in Canada on MoboVivo.
Showtime announced 13 April 2009, that it had renewed the show for a fourth and final season. The network ordered 10 episodes that were first broadcast on 11 April 2010. The series finale was broadcast on 20 June 2010. The final season was shown in Canada on CBC starting 22 September 2010, and ending on 23 November 2010.
International distribution rights are owned by Sony Pictures Television International.
Read more about this topic: The Tudors
Famous quotes containing the word production:
“Perestroika basically is creating material incentives for the individual. Some of the comrades deny that, but I can’t see it any other way. In that sense human nature kinda goes backwards. It’s a step backwards. You have to realize the people weren’t quite ready for a socialist production system.”
—Gus Hall (b. 1910)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“From the war of nature, from famine and death, the most exalted object which we are capable of conceiving, namely, the production of the higher animals, directly follows. There is grandeur in this view of life, with its several powers, having been breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.”
—Charles Darwin (1809–1882)