The Tooth of Crime - Plot

Plot

The play is set in a vaguely described science fiction future dominated by "The Game," a conflation of rock music and violence played by "Markers" under the direction of "The Keepers." Hoss has struggled to become the top Marker, only to find himself doubting his own abilities in the face of opposition from "Gypsies" who operate outside of the official rules.

Act 1: Eager to make an outing, Hoss is frustrated when the Star-Man advises him against it on the basis of his astrology. Hoss learns that his rival, Mojo Root Force, has encroached upon his territory in Las Vegas in a move of questionable legality. After getting word that a Gypsy from Vegas is on his way to attack him, Hoss calls an old friend, Little Willard, for backup, only to find that Willard has committed suicide due to his inability to cope with his status. These successive revelations exacerbate Hoss's self-doubt and his belief that the old way is dying, and he attempts to perk up his confidence by challenging the Gypsy to a shiv fight.

Act II: Before the duel (which has been changed from a shiv fight to battle of words under the guidance of an official referee) Hoss and Crow attempt to psych each other out. While Crow learns to imitate Hoss's walk and style, Hoss intimidates Crow by taking on the voice of an old Western gunslinger. Despite an ostensibly effective second round in which he takes on the voice of a Delta bluesman, Hoss loses the battle when Crow exposes Hoss's "Fear that he's crackin' busted in two." After killing the Ref, a desperate Hoss begs Crow to teach him the new style. Ultimately, however, he decides to commit his last authentic act by killing himself, for which Crow commends him. The play ends with Crow assuming his place on Hoss' throne, with Becky quickly shifting her loyalty.

Read more about this topic:  The Tooth Of Crime

Famous quotes containing the word plot:

    Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
    Mark Twain [Samuel Langhorne Clemens] (1835–1910)

    Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.
    Jane Rule (b. 1931)

    There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.
    Ralph Waldo Emerson (1803–1882)