Title
The title of the book is derived from a collection of short stories penned by Vida Winter entitled Thirteen Tales of Change and Desperation; the collection was supposed to contain a total of thirteen stories but was shortened to twelve at publication. Though its title was appropriately amended and its cover eventually reprinted to read simply Tales of Change and Desperation, a small number of books were printed with the original title and the twelve stories. This small press run became a collector's item (one of which Margaret's father holds). Many of Winter's fans considered the omission of the thirteenth story a delightful mystery, and all wanted the answer to it. During the course of the story, Margaret is asked more than once what she knows about the missing tale, and why it was never written. At the novel's conclusion, Margaret receives the long-awaited thirteenth tale as a parting gift from Vida Winter.
Read more about this topic: The Thirteenth Tale
Famous quotes containing the word title:
“Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the “Secret Annexe.” The title alone would be enough to make people think it was a detective story.”
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“Down the road, on the right hand, on Brister’s Hill, lived Brister Freeman, “a handy Negro,” slave of Squire Cummings once.... Not long since I read his epitaph in the old Lincoln burying-ground, a little on one side, near the unmarked graves of some British grenadiers who fell in the retreat from Concord,—where he is styled “Sippio Brister,”MScipio Africanus he had some title to be called,—”a man of color,” as if he were discolored.”
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“Et in Arcadia ego.
[I too am in Arcadia.]”
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Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)