Reception
Kirkus Reviews praised the novel in 1962, commenting that the novel's "well-drawn battle narrative provides take-off points for dozens of character studies, and the author describes emotional responses to battle, fear, death, homosexuality, along with detached, ironic comments on army organization and the workings of fate, luck and circumstance".
Paul Christle, speaking at a 20th-century literature conference in 2002, said of the novel, "The Thin Red Line is the only novel of Jones's war quartet that actually deals with combat, and it pulls no punches in its treatment. Reviewers, critics and scholars have lauded it for its realism. Some, myself included, would place the novel in the domain of literary naturalism because the destinies of Jones's soldiers are determined by chance and by social, economic, psychological, and political forces beyond their control and, sometimes, even beyond their recognition".
British historian and military writer John Keegan nominated The Thin Red Line as, in his opinion, one of only two novels portraying Second World War combat that could be favorably compared to the best of the literature to arise from the First World War (the other was Flesh Wounds (1966) by British writer David Holbrook).
Read more about this topic: The Thin Red Line (novel)
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