Production
It was originally proposed to title the film "Mr. Twilight", but Cary Grant insisted it be changed, suspecting that if the movie appeared to be about a single male character, then Colman, who had the better role, would steal the show. The title The Talk of the Town was registered to Universal Studios, and Columbia had to give them "Sin Town" in return. The film is now considered a classic.
The script mentioned Three's a Crowd, The Gentlemen Misbehave, Mr. Twilight, and Justice Winks an Eye. Several other titles were considered for the film, including In Love with You, You're Wonderful, A Local Affair, The Woman's Touch, Morning for Angels, Scandal in Lochester, The Lochester Affair, and even "Nothing Ever Happens".
Principal photography, originally scheduled to begin January 17, 1942, was delayed when the news of the accidental death of Carole Lombard became known.
The role of Colman's valet (played by Rex Ingram) was at the time a rare example of a non-stereotypical part for an African-American actor. Also unusual was the presence of two leading men: at this point in their careers both Grant and Colman had been used to having that role all to themselves. The situation is reflected in the plot, since audiences are kept guessing until the end who Arthur's character would chose to marry. Stevens filmed both versions, leaving it to test screenings to determine the ending.
Read more about this topic: The Talk Of The Town (1942 film)
Famous quotes containing the word production:
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“The production of obscurity in Paris compares to the production of motor cars in Detroit in the great period of American industry.”
—Ernest Gellner (b. 1925)
“I really know nothing more criminal, more mean, and more ridiculous than lying. It is the production either of malice, cowardice, or vanity; and generally misses of its aim in every one of these views; for lies are always detected, sooner or later.”
—Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)