Reception
The film was one of the most successful of the Forbes regime at EMI Films.
A 1971 review by Roger Ebert was favorable: "The stories are told simply and directly and with a certain almost clumsy charm. Instead of going for perfection in the dancing, the Royal Ballet dancers have gone for characterizations instead. The various animals have their quirks and eccentricities, and they are fairly authentic: The frog dances like a frog, for example, and not like Nureyev." Anthony Nield wrote in 2011, "Tales of Beatrix Potter is one of British cinema’s true one-offs, a film quite unlike any other. Ostensibly aimed at children, this adaptation of Potter’s various animal-centric stories was mounted by the Royal Ballet and choreographed by Sir Frederick Ashton. The tales are rendered as a series of dances, loosely interconnected by the author as a young girl (played by Erin Geraghty) and her active imagination. There are no words, only music and movement as the performers of the Royal Ballet - in full animal costume - interpret her stories’ simple narratives."
The film's designer, Christine Edzard, was nominated for BAFTA awards for Best Art Direction and for Best Costume Design.
The film was released to DVD in 2004 and 2009. A digitally restored version was released as a Blu-ray DVD in 2011, in commemoration of the film's 40th anniversary.
Read more about this topic: The Tales Of Beatrix Potter
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—Jonathan Swift (1667–1745)
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“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
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