Plot
The novel opens with the family in the hold of a sailing ship, weathering a great storm. The ship runs aground on a reef, and the family learns the ship's crew has taken to a lifeboat and abandoned them. Subsequent searches for the crew yield no trace.
The ship survives the night as the storm abates, and the family finds themselves within sight of a tropical island. The ship's cargo of livestock, dogs, guns & powder, carpentry tools, books, a disassembled pinnace, and provisions have survived. The family builds a raft, lashes livestock and the most valuable supplies to it, and paddles to the island, where they set up a temporary shelter.
Over the next few weeks they make several expeditions back to the ship, to empty its hold, and harvest rigging, planks, and sails. They construct a small homestead on the island, and the ship's hull eventually breaks up in a storm and founders.
The middle of the book is a series of vignettes, covering several years. The father and older boys explore various environments about the island, discover various (improbable) plants and animals, and build a large tree house, complete with a library. They also use the carpentry tools and local resources to build mechanical contraptions.
Eventually, sailing the pinnace around the island's coast, they discover a European family hiding from local pirates. They adopt their daughter (who at first masquerades as a boy), and her father returns on a rescue mission, restoring the family's contact to the outside world.
Read more about this topic: The Swiss Family Robinson
Famous quotes containing the word plot:
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles Id read, I started relying on the expert advice of other mothersespecially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)