Lost Plays of The Tetralogy
The remaining plays of the tetrology have been mostly lost. However, one significant passage from The Danaids has been preserved. This is a speech by the goddess of love Aphrodite praising the marriage between the sky (the groom) and the earth (the bride) from which rain comes, nourishing cattle, corn and fruits.
As the plot of the remaining plays has been generally reconstructed, following a war with the Aegyptids in which Pelasgus has been killed, Danaus becomes tyrant of Argos. The marriage is forced upon his daughters, but Danaus instructs them to murder their husbands on their wedding night. All do except for Hypermnestra, whose husband, Lynceus, flees. Danaus imprisons or threatens to kill Hypermnestra for her disobedience, but Lynceus reappears and kills Danaus; Lynceus becomes the new king of Argos, with Hypermnestra as his queen. Opinions differ as to the ending, although certainly Aphrodite was involved in the denouement. One opinion is that Lynceus now must decide how to punish the forty-nine homicidal Danaids, when Aphrodite appears in deus ex machina fashion and absolves them of the murders, as they were obeying their father; she then persuades them to abandon their celibate ways, and the trilogy closes with their marriages to forty-nine local Argive men. An alternative opinion is that Hypermnestra is put on trial for disobeying her father and Aphrodite successfully defends her similarly to Apollo's defense of Orestes in Oresteia. The trilogy was followed by the satyr play Amymone, which comically portrayed one of the Danaids' seduction by Poseidon.
Read more about this topic: The Suppliants (Aeschylus)
Famous quotes containing the words lost and/or plays:
“Women have their heads in their hearts. Man seems to have been destined for a superior being; as things are, I think women generally better creatures than men. They have weaker appetites and weaker intellects but much stronger affections. A man with a bad heart has been sometimes saved by a strong head; but a corrupt woman is lost forever.”
—Samuel Taylor Coleridge (1772–1834)
“I bow’d not to thy image for succession,
Nor bound thy bow to shoot reformed kindness,
Thy plays of hope and fear were my confession,
The spectacles to my life was thy blindness;
But Cupid now farewell, I will go play me,
With thoughts that please me less and less betray me.”
—Fulke Greville (1554–1628)