Theme Song and Opening Sequence
The show's theme song, "Livin' the Suite Life," was written by John Adair and Steve Hampton (who also wrote the themes for fellow Disney Channel series The Suite Life of Zack & Cody, Phil of the Future, and Wizards of Waverly Place, as well as the theme for the ABC Kids series Power Rangers: RPM), with music composed by Gary Scott (who also composed the music cues to signal scene changes and promo breaks, some of which are styled similarly to the theme), and is performed by British singer Steve Rushton (who is only credited for performing the theme in the second season).
The series was one of only 4 of Disney Channel shows still running in 2011 whose theme song is not performed by a star of the series (Phineas and Ferb, Fish Hooks and Shake It Up are the others).
Read more about this topic: The Suite Life On Deck
Famous quotes containing the words theme, song, opening and/or sequence:
“It seems to me that upbringings have themes. The parents set the theme, either explicitly or implicitly, and the children pick it up, sometimes accurately and sometimes not so accurately.... The theme may be “Our family has a distinguished heritage that you must live up to” or “No matter what happens, we are fortunate to be together in this lovely corner of the earth” or “We have worked hard so that you can have the opportunities we didn’t have.””
—Calvin Trillin (20th century)
“Turn back,
back
to the lake of Delos;
lest all the song notes
pause and break
across a blood-stained throat....”
—Hilda Doolittle (1886–1961)
“And then ... he flung open the door of my compartment, and ushered in “Ma young and lovely lady!” I muttered to myself with some bitterness. “And this is, of course, the opening scene of Vol. I. She is the Heroine. And I am one of those subordinate characters that only turn up when needed for the development of her destiny, and whose final appearance is outside the church, waiting to greet the Happy Pair!””
—Lewis Carroll [Charles Lutwidge Dodgson] (1832–1898)
“It isn’t that you subordinate your ideas to the force of the facts in autobiography but that you construct a sequence of stories to bind up the facts with a persuasive hypothesis that unravels your history’s meaning.”
—Philip Roth (b. 1933)