The Street With No Name - Critical Reception

Critical Reception

When the film was released the staff at Variety magazine wrote, "A double-barreled gangster film, The Street with No Name ranks at the top of the list of documentary-type productions which have been rolling out of the 20th-Fox lot. This pic has a lean, tough surface wrapped around a nucleus of explosive violence. Beneath its documentary exterior there lies a straight melodrama that harks back to the great gangster films of the early 1930s...Along a continuous line of fresh details, film includes a crackerjack fight sequence between Stevens and a professional pug, a glimpse into the FBI machinery, and a slambang finale in which the cops and the hoodlums shoot it out in an industrial plant. In a secondary role, Lloyd Nolan, playing the same Inspector Briggs of the FBI of The House on 92nd Street, delivers with his usual competence."

More recently, critic Dennis Schwartz wrote, "William Keighley (Bullets or Ballots/G Men) ably directs in a no-nonsense manner this semi-documentary styled crime drama, while Harry Kleiner provides the taut script; it follows in the authentically atmospheric territory carved out by The House on 92nd Street (1945). The film noir gets its colorful flavorings from star Richard Widmark playing another psychopathic killer like he did in Kiss of Death...The film's main purpose is to tell in an entertaining fashion how efficient the FBI is and how dangerous is their work. But the film is well-acted, has terrific shadowy visuals courtesy of Joe MacDonald, frighteningly conveys the feeling of a corrupt city, and never pretends to be anything more arty than a good cops and robbers action film. On those merits, it's watchable."

Read more about this topic:  The Street With No Name

Famous quotes containing the words critical and/or reception:

    Post-modernism has cut off the present from all futures. The daily media add to this by cutting off the past. Which means that critical opinion is often orphaned in the present.
    John Berger (b. 1926)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)