The Stranger - Film

Film

  • The Stranger (1918 film), starring Oliver Hardy
  • The Stranger (1920 film), starring Hoot Gibson
  • The Stranger (1924 film), starring Richard Dix, based on the John Galsworthy play The First and the Last
  • The Stranger (1946 film), directed by Orson Welles
  • The Stranger (1967 film), based on Camus's novel and directed by Luchino Visconti
  • The Stranger (1973 film) (aka Stranded in Space), a science-fiction TV pilot starring Glenn Corbett
  • The Stranger (1984 film), a South Korean film
  • The Stranger (1991 film), English-language title of Agantuk, directed by Satyajit Ray
  • The Stranger (1995 film), martial arts-action film directed by Fritz Kiersch
  • The Stranger (2000 film), an Austrian film directed by Götz Spielmann
  • Stranger (film), a 2006 South Korean film starring Lee Ji-hoon
  • The Stranger (2010 film), an action film starring Stone Cold Steve Austin
  • The Stranger (video series), a direct-to-video science fiction series, starring Colin Baker
  • The Stranger (When a Stranger Calls), the villain in the When a Stranger Calls films
  • The Stranger, a thriller produced in 1987 and directed by Adolfo Aristarain
  • The Stranger, a character in the movie The Big Lebowski

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Famous quotes containing the word film:

    The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.
    Jeanine Basinger (b. 1936)

    The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.
    Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)

    Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.
    Don Delillo (b. 1926)