Plot
A wild funeral and a storm presage an attempt on Li Kao's life by a man disguised as a gambler. Number Ten Ox dumps the body in a canal. A footnote remarks that volumes two through five of the Memoirs of Number Ten Ox were seized and burnt by the Imperial Censors. Later in the Wineshop of One-eyed Wong, a low dive where classes mix, they encounter Lady Hou, a poet whose poems have been "attributed" to Yang Wan-Li. She attempts to murder a bureaucrat, but is knocked out by Wong. The trembling abbot of a humble monastery in the Valley of Sorrows approaches and asks them to investigate the killing of a monk and the theft of a strange manuscript from its library. He also says that The Laughing Prince, who has been dead for about 750 years, has arisen from his grave.
Later, the walk through the part of Peking known as Heaven's Bride, a crime filled area. Master Li spots a robbery in progress and makes a detour to Fire Horse Park, specifically to the Eye of Tranquility, a small lake surrounded by old sinners hoping for salvation, following the tradition of Chiang Taikung, a Taoist who fished without worms. Li Kao wrings a confession about the mushrooms from a toadish fellow named Hsiang. He identifies the manuscript fragment as a Ssu-ma Ch'ien, but an obvious forgery. It has also been traced recently.
Three days later they arrive at the Valley of Sorrows. Li Kao tells the story of Prince Liu Sheng, younger brother of Emperor W-ti. He was appointed as lord of Dragon Head Valley. He had the peasants plant gourds, and used the seeds to burn in horn lamps to light a salt mine. He used the brine and an area of shale that seeped an odorless, easily ignited gas to dry the salt. When the salt ran out, he had work started on mining a vein of iron ore. He set up an Iron Works that used a combination of acids to produce a less brittle form of iron. The suffering of the peasants sent him into gales of laughter. At that time he became known as The Laughing Prince.
The acids had a queer effect on the water of the valley. It turned bright yellow and glowed violet at night and fish, birds and trees in the valley died. Protests were silenced when he showed that he had made quite a lot of money from it all. Then he lost all interest in making money and turned his interest to medicine. He vivisected a large number of subjects (including those who protested) and gathered like-minded people around him. He dubbed them his Monks of Mirth, and they helped him gather subjects. After a while, he fell ill and died, raving that he would return from the grave to finish the destruction of the valley.
The autopsy of Brother Squint-Eyes reveals a normal corpse that died of fright. It also reveals that he had feasted during a recent trip to Ch'ang-an. They visit the devastated Princes Path, a flowered path whose upkeep is paid for by the Laughing Princes fortune. The abbot tells them that the princes descendant Liu Pao wishes to meet them. The peasants also wish them to be certain that the Laughing Prince is still in his tomb.
The estate is large but rundown, with a large garden and many birds. Oddly enough, the Family Tablets are not there as they enter, but instead a plaque containing an essay by Chen Chiju, titled "The Home Garden", one of the Four Pillars of Civilization. The prince proves to be a tall, skinny man with wild hair.
They discuss the case so far an Liu Pao shows them his ancestors tomb. The family tablets are within the grotto where the Laughing Prince conducted his experiments. It also contain a large slate board where curious experiments mention a Stone.
A poem is carved over the tablets:
In darkness languishes the precious stone. When will its excellence enchant the world?
When seeming is taken for being, being becomes seeming. When nothing is taken for something, something becomes nothing.
The Stone dispels seeming and nothing, And climbs to the Gates of the Great Void.
They enter the tomb by bashing a bronze map of the valley with an iron hammer. The tomb is a small, barren room with two stone coffins, containing also his principal wife Tou Wan. The expected mummies are in the coffins.
In the village, the Feast of the Hungry Ghosts is beginning, it being the 15th day of the seventh moon. Despite the festivities, Master Li is worried. He expresses doubts about the explanation he gave the Prince. He also speculates that the laughing of the Laughing Prince was due to mercury poisoning, likely due to experiments with the Elixir of Life. Suddenly a mysterious sound is heard by Number Ten Ox that Li Kao cannot hear. Master Li climbs onto Number Ten Ox's back and tells him to follow the sound. He does, running blindly into a thick mist, finally emerging on the Princes estate, having somehow crossed a deep gorge without knowing.
An alarm rings out in the monastery. The library has been ransacked and the room of Brother Squint-Eyes has been trashed. The corpse of another monk is discovered in the library, Brother Wu Shang, also frightened to death. Another section of the path is found destroyed. Number Ten Ox sketches characters from Great Seal script in the air and recounts an insight from a strange dream he had recently.
The peasants begin to sing a work song from the Book of Odes, indicating that they require the Prince to destroy his ancestor's remains in the Pre-Confucian manner (punishable in the Eighth Hell).
With the deed done and the mummy smashed to pieces, the Prince shows them his paintings. The Prince studied with Three Incomparables, master of the p'o-mo (魄莫) style. Most of his paintings step outside those recommended in Mustard Seed Garden, an accumulated one and a half million years of exile.
Master Li becomes suspicious about the fragment and discovers that it is actually real and that the 'mistakes' are actually clues, such as the number of a dragon's scales (146, actually 153), the number of points in acupuncture (253, actually about 360) and so on. The decoded message reveals the location of the Stone. Master Li also reveals the mummy in Liu Sheng's tomb had the wrong color wrappings, imperial yellow instead of mourning white, meaning that the mummy was not that of Liu Sheng.
On the way to the cold room, they see a painting of Liu Sheng. His clothing contains all twelve buttons of rank and one other, commonly used to represent the Second Lord of Heaven, placing him in line with the Jade Emperor.
Number Ten Ox deduces where the entrance to the tunnel is and after some hard work, break into Liu Sheng's real tomb. The first chamber contains the skeletons of the workers. An iron wall is the next obstacle, but Number Ten Ox manages to make a hole in it. The next chamber is of marble and is stacked with gold and jewels. Other rooms contain the skeletons of the rest of Liu Sheng's court, but the Monks of Mirth are nowhere to be found. Beyond the throne room is Liu Sheng's real coffins, and the sacristy. The same mysterious inscription is there, but the Stone is not. The Laughing Prince's coffin is empty. Master Li deduces that there is another entrance to the tomb, since the air within was breathable.
Since revealing the treasure would cause enormous problems, they decide to hide it again. Li Kao and Number Ten Ox leave for Ch'ang-an. The capital is an overwhelming experience for Ox. While at the Brush Forest Academy (dropping off samples of the dead plants for analysis), Master Li tells the tale of Hong Wong, the young genius who was too smart for his own good. The Neo-Confucians are in power and innovation is anathema. Next he visits The Gate of the Beautiful Vista, headquarters of the Secret Service and seeks an audience with the Captain of Prostitutes. They play a game of social shuttlecock, a quoting game. He wins and asks her to direct him to a soundmaster. She gives him the name of Moon Boy, who is presently at the court of Shih Hu, the King of Chao. She loans him Grief of Dawn, the one person who can control Moon Boy. In return she asks that he find a new patron deity for prostitutes. Golden Lotus was the best, and her successors have been poor substitutes. She asks that he recommend the late Empress Wu, which he takes umbrage at. Ox becomes entranced with Grief of Dawn. The group are given postal service horses and leave.
During the long journey, they learn that Grief of Dawn has no memory of her life before she was about 18. She was found covered in blood by an old woman who later raised her. Master Li gets in by pretending to be the Greatest Living Master of the Wen-Wu lute. The king sees through the imposture, but is pleased with the performance. He collects rare people, of which Moon Boy is the jewel.
The group settle in and the king serenades Grief of Dawn, as he wants her to join his all-female group of bodyguards, the Golden Girls. Ox and Grief of Dawn go off to be alone.
The next morning, Ox and Grief of Dawn are interrupted in their love play by Moon Boy. Ox decides that Moon Boy is named after the Rabbit in the Moon, a notorious pervert. Moon Boy leaves, but they are again interrupted by Master Li.
They sneak away under cover of one of Moon Boy's performances. 100 toads glutted with Chinese lantern-flies clear out the stables and they make their escape through the kings secret exit. They dodge pursuit by boating to Loshan down the Min, past the Three Gorges and over Five Misery Rapids, past the Leshan Giant Buddha.
They then travel back to Ch'ang-an, past the village where Moon Boy was raised, resulting in some unusual scenes. Grief of Dawn's odd manners and knowledge, part peasant, part courtier are remarked on by Master Li. The samples show no traces of anything beyond natural decay. They make a visit to Serpentine Park, where Master Li cleverly obtains rubbings of the Confucian Stones. He later alters them to appear to be forgeries (changing the old form of the character 且 to its newer form) and trades them at the Pavilion of the Blessings of Heaven, a library, for the tracings sold by Brother Squint-Eyes.
Later, reclining under a tree, Master Li asks Ox to tel the story of Li Ling-chi, about an emperor who wanted tangerines in winter and was so expert in manipulating c-hi that he was able to pull the tangerine trees from where they were growing in the south and cause them to grow in the north. Master Li then reads a story from a scroll containing the frame story of Dream of the Red Chamber, concerning a legend of Nü Kua, a sentient Stone and an evil flower named Purple Pearl.
Read more about this topic: The Story Of The Stone (Barry Hughart)
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“Trade and the streets ensnare us,
Our bodies are weak and worn;
We plot and corrupt each other,
And we despoil the unborn.”
—Ralph Waldo Emerson (18031882)
“Jamess great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofnessthat is, reluctance to engage in any direct grappling with what, in the play or story, had actually taken placeMthat his listeners often did not, in the end, know what had, to put it in another way, gone on.”
—James Thurber (18941961)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)