Plot
Jerry inherits some old possessions of his grandfather Irving. Among them is a statue that looks just like one George's family had, until George broke it. Jerry promises that George can have it, but leaves it in his apartment for a few days. Kramer takes a few of Irving's old clothes, including a hat which he believes makes him look like Joe Friday of Dragnet. Elaine persuades Jerry to have his apartment cleaned by her client Rava's (Nurit Koppel) boyfriend Ray (Michael D. Conway). Jerry is very impressed by the quality of the cleaning; but when he and Elaine visit Rava, Jerry notices a statue with a vivid similarity to the one he inherited, and believes Ray stole it. He calls Kramer to check his apartment, and when Kramer cannot find the statue there, Jerry’s suspicion is confirmed.
Jerry, Elaine, George and Kramer discuss the situation and Kramer urges Jerry to do something about it, but Elaine argues that Rava will no longer let her edit her book if Jerry does this. Jerry calls Ray and has lunch with him, while George sits in the next booth and eavesdrops on their conversation. Jerry asks him about the statue, but Ray gets offended and leaves when he hears Jerry's opinion. Elaine and Rava get into an argument about Jerry's accusation, and Elaine is no longer allowed to edit Rava's book. Without notifying anybody, Kramer dresses up in Irving's old clothes and goes to Ray's apartment, pretending to be a cop, and steals back the statue. Kramer returns the statue to a grateful George. But while George is holding the statue, Kramer gives him a friendly pat on the back, causing George to drop the statue, which breaks when it hits the floor. The episode ends without ever revealing whether or not Ray had in fact stolen the statue from Jerry's apartment.
Read more about this topic: The Statue
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)
“After I discovered the real life of mothers bore little resemblance to the plot outlined in most of the books and articles I’d read, I started relying on the expert advice of other mothers—especially those with sons a few years older than mine. This great body of knowledge is essentially an oral history, because anyone engaged in motherhood on a daily basis has no time to write an advice book about it.”
—Mary Kay Blakely (20th century)