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Barriers ceremonies were often lushly decorated and costumed. As with Jonson's other masques for the Court, the sets and costumes for Prince Henry's Barriers were designed by Inigo Jones. Jonson's text for the speeches that preceded the combat involve figures of Arthurian legend. The Lady of the Lake inaugurates the work, at the site of the tomb of Merlin the Magician. Arthur participates in the form of a star above the scene. (Arthur represented James, who never took part directly in masques and entertainments.) Merlin rises from his tomb; he and the Lady condemn the contemporary decay of chivalry, but predict its restoration under the new reign of the House of Stuart. (Jones's two sets supported this theme; one was a ruined House of Chivalry, and the other, St. George's Portico.) The Lady and Merlin call forth "Meliadus, lord of the isles," (Henry). Merlin summarizes British history; then a personified spirit of Chivalry emerges, after which the barriers combat took place.
Jonson had to tread lightly between the King's well-known pacifism and the Prince's more martial frame of mind. He had the Lady of the Lake present the Prince with a shield, rather than the more usual and typical sword, like the shield given by Thetis to Achilles in the Iliad. Merlin warns the young Prince to beware of militaristic urges. The name "Meliadus," or "Moeliades," applied to Henry in Jonson's text, is an anagram for Miles a Deo, "soldier of God." The Arthurian theme was the Prince's idea rather than Jonson's, who in fact disparaged Arthurian romance, and preferred James's suspicion of militarism to Henry's enthusiasm.
Jonson's text was first published in the first folio collection of Jonson's works in 1616, and was thereafter included in editions of his works.
Read more about this topic: The Speeches At Prince Henry's Barriers
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