The Title in Popular Culture
Following Goethe's poem and Dukas' symphonic piece and the film Fantasia, the term "The Sorcerer's Apprentice" has had numerous iterations as the title of various media pieces. These include several novels and nonfiction books, including novels by Elspeth Huxley, Hanns Heinz Ewers, and François Augiéras. It is also the title of a Doctor Who novel by Christopher Bulis. Nonfiction books with this title include a travel book by Tahir Shah, and a chess book by David Bronstein and Tom Fürstenberg.
Among the various radio and television episodes with this title, the title is used for a CBBC show in which a professional magician chooses his apprentice. There is also a BBC radio play of the same name starring Paul Rhys and Harry Towb originally broadcast in 2007 and re-broadcast on BBC Radio 7.
The Sorceror's Apprentice, is a 1962 public domain episode of Alfred Hitchcock Presents featuring Brandon deWilde as mentally-troubled youth Hugo, after the magic wand of a kindly magician.
"Top Secret Apprentice", a segment of the Tiny Toons Adventures episode broadcast on February 1, 1991, is a modern version of the story, with Buster Bunny messing around with Bugs Bunny's cartoon scenery machine and getting himself into a big heap of trouble. Like the Fantasia segment, there is no dialogue.
There is also a live action film, The Sorcerer's Apprentice, featuring a scene based on Goethe's poem (and the Fantasia version), produced by Jerry Bruckheimer and starring Nicolas Cage.
A key episode in Ursula Leguin's "Earthsea" series concerns a young trainee magician summoning spirits in a piece of magic which he cannot control, with very serious consequences - which, though different in concrete details, is evidently inspired by the above.
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Famous quotes containing the words title, popular and/or culture:
“Fifty million Frenchmen can’t be wrong.”
—Anonymous. Popular saying.
Dating from World War I—when it was used by U.S. soldiers—or before, the saying was associated with nightclub hostess Texas Quinan in the 1920s. It was the title of a song recorded by Sophie Tucker in 1927, and of a Cole Porter musical in 1929.
“The man of large and conspicuous public service in civil life must be content without the Presidency. Still more, the availability of a popular man in a doubtful State will secure him the prize in a close contest against the first statesman of the country whose State is safe.”
—Rutherford Birchard Hayes (1822–1893)
“Both cultures encourage innovation and experimentation, but are likely to reject the innovator if his innovation is not accepted by audiences. High culture experiments that are rejected by audiences in the creator’s lifetime may, however, become classics in another era, whereas popular culture experiments are forgotten if not immediately successful. Even so, in both cultures innovation is rare, although in high culture it is celebrated and in popular culture it is taken for granted.”
—Herbert J. Gans (b. 1927)