The Title in Popular Culture
Following Goethe's poem and Dukas' symphonic piece and the film Fantasia, the term "The Sorcerer's Apprentice" has had numerous iterations as the title of various media pieces. These include several novels and nonfiction books, including novels by Elspeth Huxley, Hanns Heinz Ewers, and François Augiéras. It is also the title of a Doctor Who novel by Christopher Bulis. Nonfiction books with this title include a travel book by Tahir Shah, and a chess book by David Bronstein and Tom Fürstenberg.
Among the various radio and television episodes with this title, the title is used for a CBBC show in which a professional magician chooses his apprentice. There is also a BBC radio play of the same name starring Paul Rhys and Harry Towb originally broadcast in 2007 and re-broadcast on BBC Radio 7.
The Sorceror's Apprentice, is a 1962 public domain episode of Alfred Hitchcock Presents featuring Brandon deWilde as mentally-troubled youth Hugo, after the magic wand of a kindly magician.
"Top Secret Apprentice", a segment of the Tiny Toons Adventures episode broadcast on February 1, 1991, is a modern version of the story, with Buster Bunny messing around with Bugs Bunny's cartoon scenery machine and getting himself into a big heap of trouble. Like the Fantasia segment, there is no dialogue.
There is also a live action film, The Sorcerer's Apprentice, featuring a scene based on Goethe's poem (and the Fantasia version), produced by Jerry Bruckheimer and starring Nicolas Cage.
A key episode in Ursula Leguin's "Earthsea" series concerns a young trainee magician summoning spirits in a piece of magic which he cannot control, with very serious consequences - which, though different in concrete details, is evidently inspired by the above.
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Famous quotes containing the words title, popular and/or culture:
“It is impossible to strive for the heroic life. The title of hero is bestowed by the survivors upon the fallen, who themselves know nothing of heroism.”
—Johan Huizinga (1872–1945)
“The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.”
—Ralph Waldo Emerson (1803–1882)
“Culture is the suggestion, from certain best thoughts, that a man has a range of affinities through which he can modulate the violence of any master-tones that have a droning preponderance in his scale, and succor him against himself. Culture redresses this imbalance, puts him among equals and superiors, revives the delicious sense of sympathy, and warns him of the dangers of solitude and repulsion.”
—Ralph Waldo Emerson (1803–1882)