Reception
Upon the film's release, Bosley Crowther called it a "ripsnorting Western" (in spite of the "excessive language in its ads"); he credits Ford's "familiar corps of actors, writers, etc., to give the gusto to this film. From Frank S. Nugent, whose screenplay from the novel of Alan LeMay is a pungent thing, right on through the cast and technicians, it is the honest achievement of a well-knit team." Crowther noted "two faults of minor moment":
- "Episode is piled upon episode, climax upon climax, and corpse upon corpse...he justification for it is that it certainly conveys the lengthiness of the hunt, but it leaves one a mite exhausted, especially with the speed at which it goes.
- "The director has permitted too many outdoor scenes to be set in the obviously synthetic surroundings of the studio stage...some of those campfire scenes could have been shot in a sporting-goods store window."
Variety called it "handsomely mounted and in the tradition of Shane", yet "somewhat disappointing" due to its length and repetitiveness; "The John Ford directorial stamp is unmistakable. It concentrates on the characters and establishes a definite mood. It's not sufficient, however, to overcome many of the weaknesses of the story."
The film earned rentals of $4.8 million in the US and Canada during its first year of release.
Read more about this topic: The Searchers (film)
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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