Stories
The book consisted of the following stories, which are standalone adventures although the third story makes reference to the first two:
- Arizona - Templar travels to the American West in pursuit of a Nazi scientist who plans to take over a ranch in order to mine the mercury located beneath, with the mineral destined for German munitions.
- Palm Springs - An alcoholic millionarie begins receiving death threats after he helps police track down (and kill) a gangster. He hires Templar to "guard his body" which soon threatens to become a literal instruction. Meanwhile, Templar finds himself distracted by the millionaire's trio of live-in girlfriends. This story describes a character reading a mystery novel published by The Crime Club, American publishers of the Saint books and ends with a metafictional reference to the Saint book series itself, as well as the Hays Production Code, a possible reference to the fact this story is a novelization of a film story treatment (see below).
- Hollywood - As word spreads of his recent adventures in Arizona and Palm Springs, Templar receives an offer to star in a motion picture about his life, spearheaded by a mobster-turned-movie producer. But when the producer is murdered, Templar finds himself playing another role - that of detective.
Some editions, such as the 1948 printing by Avon Books, omit the World War II-era story "Arizona", although references to it remain in "Hollywood".
Read more about this topic: The Saint Goes West
Famous quotes containing the word stories:
“The affair between Margot Asquith and Margot Asquith will live as one of the prettiest love stories in all literature.”
—Dorothy Parker (1893–1967)
“A curious thing about atrocity stories is that they mirror, instead of the events they purport to describe, the extent of the hatred of the people that tell them.
Still, you can’t listen unmoved to tales of misery and murder.”
—John Dos Passos (1896–1970)
“The return of the asymmetrical Saturday was one of those small events that were interior, local, almost civic and which, in tranquil lives and closed societies, create a sort of national bond and become the favorite theme of conversation, of jokes and of stories exaggerated with pleasure: it would have been a ready- made seed for a legendary cycle, had any of us leanings toward the epic.”
—Marcel Proust (1871–1922)