Film and Television Adaptations
The story "Palm Springs" is based upon a story treatment Charteris wrote for RKO Pictures. The resulting film, The Saint in Palm Springs, was released in 1941 and starred George Sanders in his final appearance as Simon Templar. The script used in the film was substantially different than the original storyline. Charteris later novelized his original story for The Saint Goes West, making this, in essence, the first Saint novelization (more would follow based upon the television series). The film's plotline involves a collection of rare stamps and incorporates the character of Inspector Fernack, who does not appear in the novella.
In 1960, "Palm Springs" was adapted very loosely for the French film Le Saint Mene la danse which was produced by Films Du Cyclope and Lux Films and starred Felix Marten as Templar. This marks, to date, the only time a Charteris story has been used as source material by two different productions.
"Arizona" and "Hollywood" were both adpated as episodes of the 1962-1969 television series. "Hollywood" was adapted as "Starring the Saint" which aired on September 26, 1963, in the second season. "Arizona" formed the basis of the episode "The Sign of the Claw" which was shown as part of the third season on February 4, 1969.
|
Read more about this topic: The Saint Goes West
Famous quotes containing the words film and/or television:
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into mans ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean OCasey (18841964)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . todays children have substituted television viewing and, most recently, video games.”
—Marie Winn (20th century)