Plot
The story focuses in Eurico Árabe, who is called Euricão Engole-Cobra (something like Euricão Swallows-Snake) by his employees. Eurico is a "rich" and niggard man who has a beautiful and courteous daughter called Margarida and two employees: a smart housemaid called Caroba and his "Official Servant" Dódó, who is Margarida's secret boyfriend.
One day, a man called Pinhão (who is Caroba's secret boyfriend) arrives in Eurico's house with a letter from the rich and powerful Colonel Eudoro. It was written in the letter:
"My dear and honored Eurico: I expect you have being enjoying your peace and prosperty! Above all, I desire that your charming daughter Margarida be fine and healthy like she was in the days that she spent in my house, if you remember. I sent this letter with my loyal employee Pinhão to advise you of the visit I will make to your home soon and I fear that I will steal your most precious treasure."
Then, Eurico becomes mad thinking that Eudoro will steal his coffer (that is in the form of a pig - in this case, a sow) and tries to "stop" Eudoro's robbery. But Caroba, in a secret meeting with Margarida, Pinhão and Dodó, tells them that the "most precious treasure" in the letter referred to Margarida and that Eudoro was going to marry her. Then they make a plan to try to reconcile Eudoro with his old love, Benona. But they will have to take care about Eurico, who is trying to protect his "sow coffer".
Read more about this topic: The Saint And The Sow
Famous quotes containing the word plot:
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Those blessed structures, plot and rhyme—
why are they no help to me now
I want to make
something imagined, not recalled?”
—Robert Lowell (1917–1977)