Plot
The story focuses in Eurico Árabe, who is called Euricão Engole-Cobra (something like Euricão Swallows-Snake) by his employees. Eurico is a "rich" and niggard man who has a beautiful and courteous daughter called Margarida and two employees: a smart housemaid called Caroba and his "Official Servant" Dódó, who is Margarida's secret boyfriend.
One day, a man called Pinhão (who is Caroba's secret boyfriend) arrives in Eurico's house with a letter from the rich and powerful Colonel Eudoro. It was written in the letter:
"My dear and honored Eurico: I expect you have being enjoying your peace and prosperty! Above all, I desire that your charming daughter Margarida be fine and healthy like she was in the days that she spent in my house, if you remember. I sent this letter with my loyal employee Pinhão to advise you of the visit I will make to your home soon and I fear that I will steal your most precious treasure."
Then, Eurico becomes mad thinking that Eudoro will steal his coffer (that is in the form of a pig - in this case, a sow) and tries to "stop" Eudoro's robbery. But Caroba, in a secret meeting with Margarida, Pinhão and Dodó, tells them that the "most precious treasure" in the letter referred to Margarida and that Eudoro was going to marry her. Then they make a plan to try to reconcile Eudoro with his old love, Benona. But they will have to take care about Eurico, who is trying to protect his "sow coffer".
Read more about this topic: The Saint And The Sow
Famous quotes containing the word plot:
“If you need a certain vitality you can only supply it yourself, or there comes a point, anyway, when no one’s actions but your own seem dramatically convincing and justifiable in the plot that the number of your days concocts.”
—John Ashbery (b. 1927)
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)