The Romance of Certain Old Clothes - Analysis

Analysis

This ghostly tale is considered to be a Gothic Tale due to its Freudian uncanny nature. It is something that is familiar while at the same time as being repressed. It is possibly something that is hidden, but has been brought to life. Freud describes it as atavistic feelings of death.

“The Romance of Certain Old Clothes” makes the reader encounter several various feelings about the short story. It also brings diverse questions to its readers. Does Arthur really ever love Viola? Why does he really let Viola open the chest?

The Gothic short story is a representation of the century in which it was written with a twist. James invites several different types of emotions to the reader, as well as the characters. The story is written in a format that allows the reader to become angry and confused about Viola's actual motivations after her sister’s death. At the same time, others may understand this is her revenge. Her motivation is the opening of the chest that was not to be touched until the daughter was ready to wear the clothing and jewelry. Perdita is the one who actually has the last laugh or success so to speak, she was well aware of her sister’s intention, and her ghostly body guarded her family and the chest. Perdita haunts the family and eventually kills her sister. This is the something that Freud is trying to interpret when he describes the “uncanny.” This is the strange with the familiar. It is also a repetition. After all, both sisters have their revenge.

Read more about this topic:  The Romance Of Certain Old Clothes

Famous quotes containing the word analysis:

    Ask anyone committed to Marxist analysis how many angels on the head of a pin, and you will be asked in return to never mind the angels, tell me who controls the production of pins.
    Joan Didion (b. 1934)

    A commodity appears at first sight an extremely obvious, trivial thing. But its analysis brings out that it is a very strange thing, abounding in metaphysical subtleties and theological niceties.
    Karl Marx (1818–1883)

    Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
    Thomas Mann (1875–1955)