Concept and Performance
The project was originally conceived by Mick Jagger as a way of branching out from conventional records and concert performances. Jagger approached Michael Lindsay-Hogg, who had directed two promos for Stones songs, to make a full-length TV show for them. According to Lindsay-Hogg, the idea of combining rock music and a circus setting came to him when he was trying to come up with ideas; he drew a circle on a piece of paper and free-associated.
The Stones and their guests performed in a replica of a seedy big top on a British sound stage - the Intertel (V.T.R. Services) Studio, Wycombe Road, Wembley - in front of an invited audience. The performances began at around 2 pm on 11 December 1968, but setting up between acts took longer than planned and the cameras kept breaking down, which meant that the final performances took place at almost 5 o'clock the next morning.
By that time the audience and most of the Stones were exhausted; Jagger's sheer stamina managed to keep them going until the end. Jagger was reportedly so disappointed with his and the band's performance that he cancelled the airing of the film, and kept it from public view. This was the last public performance of Brian Jones with The Rolling Stones, and for much of the Stones performance he is inaudible, although his slide guitar on "No Expectations" remains clear.
According to Bill Wyman's book, Rolling with the Stones, the Stones also performed "Confessing the Blues", "Route 66" and an alternative take of "Sympathy for the Devil" with Brian Jones on guitar.
Read more about this topic: The Rolling Stones Rock And Roll Circus
Famous quotes containing the words concept and/or performance:
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“So long as the source of our identity is external—vested in how others judge our performance at work, or how others judge our children’s performance, or how much money we make—we will find ourselves hopelessly flawed, forever short of the ideal.”
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