Reception and Cultural Impact
- Rocky and Friends has aired in 100 countries.
- As a publicity stunt, Ward and Scott campaigned for statehood for "Moosylvania", Bullwinkle's fictional home state. They drove a van to about 50 cities collecting petition signatures. Arriving in Washington D.C., they pulled up to the White House gate to see President Kennedy, and were brusquely turned away. They learned that the evening they had arrived was during the height of the Cuban Missile Crisis.
- British Invasion band Herman's Hermits got its name because bandmates thought lead singer Peter Noone looked like Sherman of "Mr. Peabody" fame, and the name "Herman" was close enough to "Sherman" for them.
- TSR, Inc. produced a role playing game based on the world of Bullwinkle and Rocky in 1988. The game consisted of rules, mylar hand puppets, cards, and spinners.
- A pinball machine dedicated to Rocky and Bullwinkle was released in 1993 by Data East.
- When this show aired on Nickelodeon, it was entitled "Bullwinkle's Moose-a-rama" with the same end credits as "The Bullwinkle Show."
- Cartoon Network aired the show under the new "The Rocky and Bullwinkle Show" title, featuring their own version of the characters among a purple and green checkerboard background while retaining the original end credits.
- In January 2009, IGN named Rocky and Bullwinkle as the 11th best animated television series.
- In 2002, Rocky and His Friends ranked #47 on TV Guide's 50 Greatest TV Shows of All Time.
Read more about this topic: The Rocky And Bullwinkle Show
Famous quotes containing the words reception, cultural and/or impact:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
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“One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.”
—Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)