Plot
Hsiao-Kang (Lee Kang-sheng), a young man in his 20s, is going up an escalator in Taipei when he meets an old girlfriend of his (Chen Shiang-chyi). She convinces him to accompany her to a film shoot that she is working on. While eating lunch, Hsiao-Kang is spotted by the film's director (Ann Hui). The scene that they are currently shooting needs an actor, so Hsiao-Kang agrees to step in. He lies face down in the dirty Tamsui River for a few seconds, pretending to be a dead body.
After the scene is completed, he and his friend get a room in a hotel so Hsiao-Kang can take a shower. The two then have sexual intercourse. Hsiao-Kang drives home on his motorcycle and begins to feel some soreness in his neck. He eventually falls off the bike, and a man, later shown to be his father (Miao Tien), tries to help him up, but Hsiao-Kang ignores him and drives the rest of the way back.
By that night, his neck pain is even worse. He goes to his mother (Lu Yi-ching), and she rubs some lotion on him. However, the pain does not go away. The family tries different methods of healing, including acupuncture, but nothing works, and Hsiao-Kang begins to wish he were dead. Meanwhile, it is apparent that the family is fractured, with communication problems. Hsiao-Kang's father regularly visits a bathhouse and has sexual encounters with other men. The mother is having an affair with a pornographer.
Finally, Hsiao-Kang and his father travel to see a provincial healer. The healer is not able to foresee anything on their first visit, so they rent a hotel room. That night, they both go to the same bathhouse, separately. Hsiao-Kang eventually walks into his dad's room in the dark, and the two give each other handjobs.
When Hsiao-Kang's father turns the light on and sees his son, he slaps him, and Hsiao-Kang runs out. They meet back at the hotel room. The next morning, the father receives a phone call from the healer, who says that he cannot help them. The father then wakes Hsiao-Kang up and says that they're leaving. Hsiao-Kang walks out onto the hotel room balcony, while clutching his neck and grimacing in pain.
Read more about this topic: The River (1997 Film)
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—Charles Dickens (1812–1870)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
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And we despoil the unborn.”
—Ralph Waldo Emerson (1803–1882)