The Rise and Fall of Ziggy Stardust and The Spiders From Mars - Release and Aftermath

Release and Aftermath

Professional ratings
Review scores
Source Rating
Allmusic Review by Stephen Thomas Erlewine
Publication date: unknown link
Blender
Publication date: unknown link
Robert Christgau Review by Robert Christgau in Creem
Publication date: 1972 link
(B+)
Circus Review in Circus
Publication date: July 1972 (1972-07) link
PopMatters Review by Charlotte Robinson
Publication date: 29 January 2003 (2003-01-29)
Rolling Stone Review by Richard Cromelin
Publication date: 20 July 1972 (1972-07-20) link
(Favourable)
Spin Review by Spin staff
Publication date: 1995

Upon its release on 6 June 1972, Ziggy Stardust reached number five in the UK and number seventy-five in the US. The album was eventually certified platinum and gold in the UK and US respectively. The only single from the record, "Starman", charted at number ten in the UK while peaking at the sixty-fifth spot in the US.

In the issue of Rolling Stone from 20 July 1972, writer Richard Cromelin gave the album a favourable review of "at least a 99" (assumed out of 100); the review was written in a way that even though he thought it was a good album, he did not believe in the lasting power of it or the style in general. In his review Cromelin writes "we should all say a brief prayer that his fortunes are not made to rise and fall with the fate of the 'drag-rock' syndrome".

In 1987, as part of their 20th anniversary, Rolling Stone magazine ranked it #6 on "The 100 Best Albums of the Last Twenty Years." In 1997, Ziggy Stardust was named the 20th greatest album of all time in a Music of the Millennium poll conducted in the United Kingdom by HMV Group, Channel 4, The Guardian and Classic FM. In 1998, Q magazine readers placed it at number 24 and Virgin All-time Top 1000 Albums ranked it at number 11, while in 2003 the TV network VH1 placed it at number 48. It was named the 35th best album ever made by Rolling Stone on their list of the 500 Greatest Albums of All Time. In 2000 Q placed it at number 25 in its list of the 100 Greatest British Albums Ever. In 2004 it was placed at number 81 in Pitchfork Media's Top 100 Albums of the 1970s. In his 1995 book, "The Alternative Music Almanac", Alan Cross placed the album in the #3 spot on the list of '10 Classic Alternative Albums'. In 2006, the album was chosen by TIME magazine as one of the 100 best albums of all time.

In 2005, Brazilian singer Seu Jorge did a cover album of 14 Bowie songs, many of them from Ziggy Stardust, as a soundtrack for the movie The Life Aquatic with Steve Zissou called The Life Aquatic Studio Sessions. The translation into Portuguese is not always exact, as Seu Jorge maintains the melodies and styles, but often varies the lyrics. Bowie himself said of Seu Jorge's covers: "Had Seu Jorge not recorded my songs in Portuguese I would never have heard this new level of beauty which he has imbued them with". Musician Saul Williams named his 2007 Trent Reznor-produced album The Inevitable Rise and Liberation of NiggyTardust!. In 2009, Techno Cowboy covered the entire album from start to finish using just the Omnichord called "The Ziggy Stardust Omnichord Album".

Read more about this topic:  The Rise And Fall Of Ziggy Stardust And The Spiders From Mars

Famous quotes containing the words release and, release and/or aftermath:

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    We read poetry because the poets, like ourselves, have been haunted by the inescapable tyranny of time and death; have suffered the pain of loss, and the more wearing, continuous pain of frustration and failure; and have had moods of unlooked-for release and peace. They have known and watched in themselves and others.
    Elizabeth Drew (1887–1965)

    The aftermath of joy is not usually more joy.
    Mason Cooley (b. 1927)