The Rhodes Colossus - Iconography and Influence

Iconography and Influence

Rhodes is shown in a visual pun as the ancient Greek statue the Colossus of Rhodes, following the traditional (and architecturally unlikely) depiction of the Colossus with wide-set legs across Rhodes harbour (above).

Rhodes measures with the telegraphic line the distance from Cape Town (at his right foot) in South Africa to Cairo (at his left foot) in Egypt, illustrating his broader "Cape to Cairo" concept for British domination of Africa.

The cartoon is recognised today as a standard illustration in history texts of the Scramble for Africa, and of Colonialism as a whole. The original context of a proposed telegraph line is rarely mentioned in such reproductions, which take the "Cape to Cairo" concept more generally.

In 2009, the South African cartoonist Jonathan Shapiro parodied the famous cartoon by placing Chinese president Hu Jintao in place of Rhodes holding up Nkosazana Dlamini-Zuma, the then Minister of Foreign Affairs, like a marionette, while the Dalai Lama looks on from Asia. The cartoon satirised Sino-African relations in general, and recent China-South Africa relations in particular, after the Lama was denied a visa to attend an international peace conference in Johannesburg, a move that was perceived to be the result of Chinese pressure.

The Rhodes cartoon also influenced political cartoonist Martin Rowson, who published on 1 February 2013 a drawing in The Guardian on British prime minister David Cameron's current policy regarding Algeria and the French intervention in Mali.

Read more about this topic:  The Rhodes Colossus

Famous quotes containing the word influence:

    ... even I am growing accustomed to slavery; so much so that I cease to think of its accursed influence and calmly eat from the hands of the bondman without being mindful that he is such. O, Slavery, hateful thing that thou art thus to blunt the keen edge of conscience!
    Susan B. Anthony (1820–1907)