Production
In 2004 Khmer graphic designer Tim Pek took a small role for a short film called Chhay. The film was about two brothers and focused on the pre- and post-Khmer Rouge era. Exposed for the first time to how films were produced, Tim started to contemplate various ways to improve the concepts of film making.
A few months later, Tim received a Cambodian Fashion Show video from Adelaide with an extra feature of a five minutes short film, directed by Chhai Thach. This film, entitled ‘Bugger!’, was made in New Zealand and had won the best short film award. Impressed with the simple story, Tim got in contact with Chhai and discussed the making of a new short film as a team. A month later, Chhai came up with another mystery story, also set during the Khmer Rouge era. After some discussion, both Tim and Chhai agreed to make three parts of the story. Tim managed to produce a script within a few weeks for a 15-minute short film intended for entry into film festivals.
The film project was created in early 2005 and became ‘The Red Sense’, or ‘Vignean Krohom’ in Khmer. Pek said of the film: ”I had the opportunity to work with various non-actors which I thought would be a terrific opportunity as a director. The casts and crews are very supportive, which continues to keep my spirit high”.
Read more about this topic: The Red Sense
Famous quotes containing the word production:
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)