Plot
The film, which has a music score but almost no dialogue, tells of Pascal (Pascal Lamorisse), who, on his way to school one morning, discovers a large helium-filled red balloon.
As Pascal plays with his new found toy, he realizes the balloon has a mind and will of its own. It begins to follow him wherever he goes, at times floating outside his bedroom window as Pascal's mother will not allow it in their apartment.
The red balloon follows Pascal through the streets of Paris, and the pair draw inquisitive looks from adults and the envy of other children as they wander the streets. At one point the balloon enters Pascal's classroom, causing an uproar from the other pupils. The noise alerts the principal, who becomes angry with Pascal and locks him up in his office until school is over. At another, Pascal and his balloon encounter a little girl (Sabine Lamorisse) with a blue balloon that also seems to have a mind of its own.
In their wanderings around the neighborhood, Pascal and the balloon encounter a gang of bullies, who are envious of his balloon, and they soon destroy his new friend.
The film ends as the other balloons in Paris come to Pascal's aid and take him on a cluster balloon ride over the city as the narrator states that other balloons took Pascal up to a magical world where balloons and children can be friends forever.
Read more about this topic: The Red Balloon
Famous quotes containing the word plot:
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. “The king died and then the queen died” is a story. “The king died, and then the queen died of grief” is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
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“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)